
[It has not escaped my attention that in just a few short weeks I will be expected to fulfill some sort of regular blogging commitment over at tor.com. Last I checked, um, eighty-seven weeks ago, I was an atrocious blogger. I talked about this with Brian Slattery over brunch before his panel at New York Comic Con, and our consensus was that we were both ill-suited for blogging because the journalistic urge is in some ways the antithesis of the editorial urge: while a good blogger must be generative in the face of time constraints and fallowness, an editor is charged with making sure a piece of writing has the exact ingredients it needs to make its case, excising pointless additives and making sure none of the essentials are left out. And it is on these exact standards that I flounder, far too paranoid that I will bore my audience or, worse yet, leave out the precise detail that would win you over to my side.
But this is a balance I will have to figure out, and I'd much rather do it here than there. I think the best way to train myself is to start off in a sprint, trying my damnedest to post one small thing every day. To stave off my descent into the tragic verbosity that is inevitably my downfall, I'm limiting myself to no more than three sentences a day. I am allowing em-dashes, semicolons, links, parentheticals, ellipses, and maybe some artful run-ons, so they may be long
sentences (I'm only human!). But I trust that you'll all chastise me appropriately if I stray from my basic goal?
Obviously, this bracketed section is included for administrative purposes only and does not count. Heh. Here we go for real:]
I remarked to
thumbelinablues this morning that last Wednesday's
KGB felt like it was weeks ago, presumably due to the massive time distortion field generated by NYCC, at which, within the space of about twenty-four hours, I moderated my
second comics panel; took an anthropological stroll with
one of my favorite writers; gave out
several gazillion buttons featuring our rocketship mascot Stubby; acquired several hopeless crushes; attended two panels; ate sushi with
an elite cadre of illustrators; had conversations with dozens of creators and publishers who have naught to do with SF, networking wildly in support of my new
comics acquisition gig; made myself go to the
afterparty by myself and stay there until I'd had a conversation with a stranger; and finally started to feel like my comics cred is slightly less of a sham than I sometimes fear. I also reproduced the absurd trajectory that seems to be my standard MO at conventions dominated by rows of tables, spending the first two days thinking I have all the time in the world, then suddenly realizing that I've actually got two hours left and 80% of the floor to cover, and consequently seeing a depressingly small subsection of the exciting new things everyone had on hand: in fact, the only things I managed to buy were
A Journey to the End of Taste (so far, it's like a direct transcription of my internal conflict with mainstream culture, except several times cleverer) and the first two issues of
Comic Foundrywhich were both, now that I think about it, directly or indirectly
Douglas' fault. It was excellent and exhilarating and exhausting, and has invoked the standard post-con bittersweetness at having to go back to my regular life, which currently consists of grapes, carrots, and
peanut butter for dinner and a forced march to stay in the office until I've finished just a few more things and set this entry free.
Comments
Move along folks...there is nothing to see here... nothing to see...
And what is this "mainstream culture" you speak of?
I didn't realize that the mainstream had any culture at all.
Still rubbing my eyes to make sure that this post is real, I'd posit that there is great work and there are indicator species and that the two occasionally bend the mainstream in their direction. I guess it's easier to describe with music. There's always some band that doesn't sound like the mainstream at all but gets at least a moment of attention for being so spactacular that even the zombies wandering the box-shaped stores have to take notice.
To wreck my own point because it's more fun to crash and burn this than keep building the argument, I am 100% certain that there are many unopened copies of Garcia Marquez bought by people who love Oprah and many Gnarls Barkley albums that were listened to twice (except for "Crazy" which is still on repeat). Suffice it to say that plenty of creators have had culture moments without being mainstream.
I'm reflexively inclined to be dismissive of anything that's massively popular, but I've also always felt uncomfortably arrogant about asserting that my taste is worthier than millions of other people's just because it's mine. Consequently, even though I doubt I'll ever stand a chance of liking Celine Dion and her ilk, I'm still interested in deconstructing whether any such sweeping pronouncements are evidence of an unconscious classism on my part.
Next time, I promise, I'll last longer than 98 minutes before fleeing and come visit you like a normal person.
I can hardly fault you for fleeing ComicCon. It seems like an entirely sensible and human urge that I surely would have indulged myself if I didn't have my professional persona behind which I could hide from all the crowds.
I totally did a double-take when I saw your icon ...
Welcome back!
Actually, I'd buy your theory if it was just Monday's post, but I was actually at home when last night's went up. So perhaps we have to concede that
I miss you and am very psyched to see you next month. I realize that I am in some sense perpetuating the miss-age by not paying enough attention to what you're up to SF0, but right now SF0 is thing number 37 on the list of 28 things I'm actually managing to get done. I do have an idea for a completion that might be an awesome fit for WisCon, though... maybe we could talk about that one of these days?
As for the sarcasm or lack thereof, I'll leave that for you to decide.
Edited at 2008-04-23 03:05 am (UTC)
(Do I have TWO production departments? Jeez.)